Thelonius Monk - the Picasso From Rocky Mt.

The following remarks were delivered yesterday by Eddie Ray of the North Carolina Music Hall of Fame at the ceremonies honoring Thelonius Monk, which took place in Rocky Mount, N.C. I was privileged to be asked to write a little something befitting of the occasion; and glad to do it.

My original draft was a little bit different in that it included 3 paragraphs which Eddie Ray chose not to speak, thus proving his legendary talents as an accomplished Artists and Repertoire (A&R) man. I have been known to go on tangents and need minding.

So, here is the text of the remarks as written by me and edited to a fine edge by Eddie Ray, and then spoken at the ceremony. It was an honor for me to write about Thelonius Monk; and although I might not be the number 1 fan as purported in the in the opening remarks; I do recognize the genius of the man.

Introduction by Bobby Monk.

Eddie Ray:

“Thank you Bobby Monk,

When Robert Williams,  a devoted fan of Thelonius  Monk,  heard that I had been honored to participate in Thelonius’  97th  Birthday Celebration in his home town of Rocky Mount, NC, he sent me   some  suggested  comments  about his musical idol  that he would  have liked to share if he were participating in the Celebration.  Robert’s comments were so beautiful and emotionally moving, I decided to share them with you. He entitled his presentation,

“THE PICASSO FROM ROCKY MOUNT”

“The leaves would have been turning; just as they are now. Look around outside at the beautiful colors surrounding us; these were the first sights that the boy would ever see.  And though he traveled far; would they ever leave him?

The sounds of his first winter would have been full of the wind as it howled and blew through  the hills;  and when it froze  he would have heard the cracking of the tree limbs as they broke away from the trunks, crashing,  quietly muffled on the snow  covered ground. Crashing quietly; just like the struggles evident in his music later on; when discordant notes fought for a place among sweeter melodies. Could his senses have ever really forgotten from where that came?

Surrounded by the colors and SOUNDS of these hills and mountains where he was born had to have helped form the mind of the boy who would someday mesmerize the world with his unique SOUNDS. And although he would leave these hills at an early age; he was only 5 years old when his family moved to New York City; this is where he came from.

After moving to New York City, where the people today actually still claim  him as their native son;  it seemed like everybody wanted a piece of him.  A largely self-taught  musician, he did attend Julliard for a while; where it must have been difficult for him to contain his musical visions within the confines of a structured school setting.  But, by age 17 he was touring with a gospel band playing the organ for a few years before forming his first ensemble. 

After that, came the legendary years, which produced such classics as “Round Midnight” in 1947. Photos of him at the time; he was 30; show a sharply dressed and focused man. I could go on about all his great achievements in the field of Progressive; and even Advant Garde Jazz, but all of that has been covered elsewhere by others. You didn’t come here to hear a biography. You came here to celebrate a great musical SOUND.  

Somewhere, sometime; there was a note, or possibly a melody, which entranced you and drew you in, And then you were hooked on that “SOUND”. Thelonius Monk was that SOUND personified. And his entire life; until his death over 30 years ago; was a continued exploration of just how far he could take that SOUND.

From Rocky Mount, NC to New York City and to every city in the world he took his SOUND. He refined it each step of the way, adding something he heard here; and a note he heard there; until those combined SOUNDS became the soundtrack of his own life and travels; and the lives of those who traveled the musical path with him.

But in the end it always comes back to the place where it began. Sometimes it takes a while for the SOUND to travel; but travel it does. And this time it traveled all the way back to Rocky Mount, NC where it began”.    ©Robert Williams

On behalf of the NC Music Hall of Fame,  I am  honored  and grateful  to have  the opportunity to  help  preserve, honor and promote Thelonius  Monk’s extraordinary contributions to the rich musical history of our State of North Carolina and to the entire world.  The memory and enjoyment of his amazing musical contributions to the world of music will live on forever.

For more about both Eddie Ray and the NC Music Hall of Fame in Kannapolis, go to their link at;

http://northcarolinamusichalloffame.org/

Nina Simon - Triple Threat Artist

Millions of people first became aware of Nina Simone through her stance on Civil Rights in the late 1960's. That's understandable, as her signature song, "Backlash Blues", was the work of  Langston Hughes; the poet of Harlem Renaissance fame. Mr. Hughes was on his deathbed even as Ms. Simone sang the song he had first written as a poem. His last request to her was that she never stop singing it. And, she never did. It's as important a song as "Bitter Fruit" by Billie Holiday; or even "Black and Blue" by Louis Armstrong. It also marked Ms.Simone's emergence as an activist in the struggle for Equality then sweeping the nation. This is the version of the song that leapt from the radio in the summer of 1967;

http://www.youtube.com/watch?v=2Pj9AucSc9Y 

But before that, Ms. Simone was already a major artist in jazz, blues and even pop circles. Even her 1959 rendition of "Little Girl Blue" would be covered over a decade later by Janis Joplin. The woman was a triple threat; she sang, wrote, played piano; all while covering genres which ranged from classical to Jazz, Blues, Folk, R and B, Gospel and even Pop music. She literally knew no boundaries.

Born in Tryon, North Carolina on February 21, 1933 as Eunice Kathleen Waymon, she was the 6th child born into a Preacher's family. Her original goal was to be a classical music pianist but her goal changed when she was denied a scholarship to the Curtis Institute of Music in Philadelphia. That denial was based purely on race. It was that denial which led to Ms. Simone to perform in the local clubs around Philadelphia to make up that deficiency of funds. It was also when she began to sing.

By 1958 she had begun her recording career with the single "I Loves You Porgy" and an album called "Little Girl Blue." She made nothing off of these recordings beyond the initial $3,000 for which she asked at the time, releasing her royalties forever. Those recordings went on to make millions.

Her recording career lasted from 1958-1974. Most known for her fusion of blues and gospel with classical music, Ms. Simone was an enigma at first. She never fit neatly into any of the "slots". Her recordings almost all have a classical element in them somewhere. If not in the composition itself, then in the vocals arrangements.

Her early years playing gospel in church helped her to have an instinctive feel for her audience. She knew which crowd would understand her more jazz like renditions of her hits, and which ones wanted to hear the record. She measured them all up with a discerning eye,  sometimes being mistook as too much of a "purist." But whatever label you put on her, you could never deny that she was a force to be reckoned with.

By the early 1960's she was embracing the Civil rights Movement openly, which was still a risk until the later part of the decades. Careers could be smashed over this divisive issue. Her earliest taste of racism came when she was 12 years old and her parents were asked to move to the rear of the concert hall where she was making her first recital. We can only imagine how much that must have hurt. Ms. Simone refused to pay until her parents were restored to their seats. Imagine the courage which that took! This is a woman who would never know stage fright!

Her mother was the preacher in the house; she was a Methodist Minister and a housemaid. Her father worked as a handyman, after having tried his hand in business. His health was not always the best, making Ms. Simone's mother the main wage earner. Her mother's employer actually set up a fund for Ms. Simone to continue taking piano lessons, having heard something of promise in her. With some of that money she was able to attend Allen High School for Girls in Asheville. She then went on to the Curtis Institute where she was rejected. It must be noted that the Institute had already begun accepting African-American applicant as early as the 1940's. The first such graduate was George Walker in 1945. He would go on to earn a Pulitzer Prize. Ms. Simone went to New York and studied at Juilliard.

It was while attending school in New York that she became "Nina", performing in Atlantic City to pay for school. She took the last name Simone for Simone Signoret, the French actress, whom she admired. In later life Ms. Simone would go to live in France, where she was even more highly regarded than here at home.

She opposed the Vietnam War and refused to pay her taxes as a protest. When she left the United States for Barbados she left her wedding band behind. Her husband/manager took this as a sign that she wanted a divorce. When she returned to the United States she found that a warrant had been issued for her arrest concerning the unpaid taxes. She quickly returned to Barbados, where she lived for many years until relocating to Liberia. From there she moved to Switzerland, and later the Netherlands, before finally settling in France.

Another signature Civil Rights Era song which Ms. Simone wrote has become almost an anthem, "Mississippi Goddam" which she wrote in response to the killing of Medgar Evers and the bombing of the church in Alabama which left 4 children dead. It was widely banned; as was to be expected; down south.

Her recording career was up and down during the decades she was moving about, but took an unexpected upturn in the late 1980's and 1990's when she recorded several well regarded jazz albums, as well as a collection of varied songs called "Baltimore."  Her last recording was in 1993, with an album called "A Single Woman." Her autobiography; published the year before; is called "I Put a Spell On You."

By far her most well regarded recording is the album "Montreux Jazz Festival" for which she will always be remembered. That album is also available on film.

In 1993 she settled in Aix-en-Provence in France. She died in her sleep on April 21, 2003. Her ashes were sent to several African countries. She left one daughter, Lisa Stroud, who uses the name Simone. She has appeared on Broadway in "Aida." 

While one of the more controversial artists of her time she has become one of the most well loved since her death. She was inducted into the  North Carolina Music Hall of Fame in 2009.  And, in 2010 a statue in her honor was erected on Trade Street, in Tryon, North Carolina, the place it all began.

North Carolina Music Hall of Fame - Kannapolis

The North Carolina Music Hall of Fame is located in Kannapolis at 109 West A Street. It is housed in a small red brick building that at one time was the town jail. In these days of corporate ownership, it is a rare pleasure to have an independent and growing operation like the Music Hall of Fame. North Carolina has been the stomping grounds of many illustrious musical legends. And this spunky little museum does its best to highlight them all.

Walking in, and immediately to the right, as you enter are some plagues and photos from James Taylor. He wrote "I'm Going to Carolina In My Mind", which is our State Song. He continues to perform today all around the world.

This snappy little outfit was worn by Nina Simone. Her earthy and insistent rendition of "Do I Move You" still sends shivers down the backs of her listeners. It's almost as if she's daring you to say no. And her scathing indictment of segregation in "Backlash Blues" still ranks among the greatest of the 60's social protest songs. It's right up there with "Bitter Fruit" by Billie Holliday, or "I'm Black and I'm Blue" by Louis Armstrong. Powerful stuff.

Most people think of North Carolina in connection with bluegrass and gospel music, and we do have our share of that. Charlie Daniels, Earl Scruggs, Doc Watson all immediately spring to mind. But we have such a wide variety of music in our history. From the beach sounds of groups like The Chairmen of the Board to the funky soul sound of George Clintons' Funkadelics, it's all on display here, with plans for adding more.

The second floor is not open yet, but there is already a need for more space. As more items keep on arriving and new members are  added to the ranks of inductees, the need for more space will arrive sooner than later. Each years Induction Ceremony brings with it new and more contemporary artists, all requiring a space of their own. Also, to accommodate the continuous need for more space there are plans to use part of the first floor as a revolving type exhibit. This will enable the Museum to remain current and involved in the music scene as it relates to North Carolina.

This gown belonged to Victoria Livengood, the noted opera star. She is still performing today. The exhibit runs the entire gamut of music. From Andy Griffiths' early comedy records and his later gospel recordings, to the likes of The Shirelles, Ben E. King and Roberta Flack. And there is more on the way.

Vice Chairman Eddie Ray is hoping to get some more memorabilia from "American Idol" to represent the artists; such as Carrie Underwood, Clay Aiken and Bo Brice, to highlight North Caroilna's unique connection to the show.

But the real star of the whole show is Mr. Ray himself. He is half of the partnership that gave life to this museum. His history in the music business is an education in itself.

In 1954 Mr. Ray was already established in the music industry, on the distribution end, and also promoting artists such as The Drifters, John Lee Hooker, Chuck Berry, B.B.King, Clyde McPhatter, and Joe Turner, just to name a few! It was also the year he released his self penned recording of "Hearts of Stone" by The Jewels. It was a crossover hit and also covered by many of the leading R & B groups of the era.

In the mid to late 50's he was handling Ricky Nelson, Fats Domino, Slim Whitman and Johnny Rivers while employed at Imperial records. In the 1960's he joined Capitol records as Director of A & R for the Tower label. It was there that he acquired Pink Floyd. It was also around this time that he became the first African American V.P. of a major recording company.

Mr. Ray, along with his old colleague, Mike Curb from Tower Records, have put this museum together to honor and showcase the artists that have made North Carolina a great place for music. But; it must be said; that although all of the exhibits are wonderful, it will always be Mr. Ray who gives this little museum its own "Heart and Soul."

For more information about the North Carolina Music Hall of Fame, and their upcoming annual 5K race in May, use this link;

http://northcarolinamusichalloffame.org/